16 October 2013

BOOK REVIEW ‘THE UNDERCOVER ECONOMIST’ BY TIM HARFORD

Introduction
I found this book in the library when I was supposed to be studying. Good call because this was actually a great revision book for MICROECONOMIC POLICY! Look at the contents page…. It’s practically the syllabus… The chapters are not sequential so you can pick and choose what you read about and the topics are all have ‘everyday applications’ as the whole idea of the book is to look at the world around you with ‘the eyes of an economist’ so each theoretical concept is introduced with real world evidence.
Style
Tim Harford is a great author because he’s so easy to read. Sometimes a book will say ‘no previous knowledge of economics necessary’ but they’re flat our lying. That’s not the case with Harford as he builds up your knowledge from the beginning and then adds to it with every chapter.
Content
I’m not saying that you can ace Micro Policy with this book but the basic concepts are explained in a way that make it easy to build on with the lecture notes. Here are most of the topics that Harford explores and explains:
  • Ricardo’s theory of rent & scarcity power
  • The value of the marginal
  • The effects of rent control
  • The effects of immigration
  • Price discrimination (including location pricing)
  • How perfect markets work and why we use them (1)
  • Efficiency vs fairness in taxation
  • Market & Government failure
  • Dealing with externalities
  • Asymmetric information/incomplete contracts/moral hazard
  • Efficient market hypothesis
  • Game theory and auctions
  • Competitive and absolute advantage
  • Rent seeking
Also topics such as the rise of china, the recent financial crisis and environmental issues are also discussed
Conclusions
‘The Undercover Economist’ is well written and covers a lot of material in a non-convolute way. Topics of recent interest are discussed thoroughly using concepts that Harford introduces through storybook examples and anecdotes.
Usefulness
If you are taking Microeconomic Policy you should read this book. It’s like revision but easier. I thought I understood the topics presented in lecture but Harford is able to go through the concepts with more leisure so that the examples he used still stick in my mind even a year after I first read them.
Notes
(1) I re-read this chapter a lot because it explains why economists continue to use models of perfect markets when they’re so inapplicable to the real world

2 October 2013

HOW MANY PEOPLE HAD SEX TODAY?


The other day we had a society meeting. That was over pretty quickly because we’re a very organised bunch but eventually we got around to a different topic:
How many people in the UK were having sex at 18:03 Sunday 29th September?
(Please keep in mind that this is based on HEAVILY estimated data! You’re quite welcome to point out where our estimates were wrong but they were just estimates based on our collective knowledge.)
  • The population of the UK is 62 million. Let’s say 60 million for the sake of maths
  • Discount 50% of the population (>65 years/
  • Account for the fact that it’s 18:00 on a Sunday = the only people likely to be having sex are those in relationships
  • On average people in established relationships have sex three times a week so they have a 3/7 chance of having sex today
  • 3/7 of 30 million = 3.4 million
  • 24 hours in a day – 7 hours for sleep = 17 hours to potentially have sex
  • 3.4 million / 17 hours = 100, 000 people having sex each hour
So. After that we saw that someone had already asked this question. The answer is that on any random day on a random hour sex happens an average 5.5 million times in a population of 6.7 billion (we’ve done enough maths for today… We’ll pretend that’s the current population….) We already set the population of the UK at 62 million which means if we round the numbers it means we were right! In the UK 100,000 people are having sex each hour!
So yeah, considering how much leeway we took with the numbers, we got pretty close!

5 August 2013

BOOK REVIEW ‘END THIS DEPRESSION NOW!’ BY PAUL KRUGMAN


Introduction
I used to really love Paul Krugman because he explains things in such an easy way. Recently people have been telling me Krugman isn't the most reliable economist around so I decided to re-read this book in particular which I thought was the best book ever written for a time because it’s so straightforward.
Style
The book is dedicated: ‘To the unemployed, who deserve better’ which tells you a lot about Krugman’s writing style. The book assumes an intelligent reader with no previous knowledge of economics so lots of important concepts that are thrown around during lectures are explained remarkably well. However only rarely does Krugman tell us what the concept is called ‘in the jargon’ so it’s not something that’s suitable to read the night before the Macro Theory exam.
Content
The first chapter explains the effects of unemployment and lost economic growth the result has been anger and despair that rivals that of the great depression. Krugman then speaks about how the depression led to the rise of Hitler in inter-war Germany (1).I know there’s a word for the fallacy of taking an argument and drawing it to a silly, worst case scenario conclusion but I don’t remember what it’s called. Maybe that fallacy applies here or maybe Krugman is just being rational when he warns that a depression brings out the worst in people.
This introduces Krugman’s central message: economists have learnt from the great depression and know what has to be done to fix it but the fix is difficult politically. The government needs to raise spending to boost demand (2)  and this has to be done through fiscal policy as during a liquidity trap monetary policy becomes useless.(3)
The large part of the book is then taken up with the run-up to the current crisis, some common fallacies spread by political phrasing and generally refuting any arguments that could be levied against the conclusions drawn. I enjoyed this build up as Krugman is quick to draw comparisons and make snide remarks during what would otherwise be a dry section which makes the chapters easy to read.(4) For example, I am now informed that there is no ‘structural problem’ in unemployment or whatever other excuses politicians make up; they simply just don’t want to fork out the amount of money that would be necessary to end this recession.
We are reminded of the Obama stimulus bill, known as the ‘American Recovery and Reinvestment Act’ totalling $787billion. Krugman says fiscal stimulus of this size was ‘too small for the job’ and ended up discrediting the whole idea of fiscal stimulus. Reasons why opponents criticize fiscal policy are discussed and dismissed, including fears of debt and inflation.
Finally, a chapter is spent analysing the problems in Europe along with the dangers of austerity. Krugman ends the book with a five point plan to end the crisis and a summary of what has been discussed. The very last paragraph contains a call to put more pressure of the government to respond to the current economic situation before it’s too late.
Conclusions
Mr. Sean Rickard once said during a lecture that most economics books for the general public could probably be condensed into a slightly-too-long chapter and forget the extra 200 or so pages that come after. But without 200+ pages you can’t sell the book for £15. I think this might be one of those book.
The book is enjoyable to read due to the sarcastic way arguments are deflected but a lot of the information could be condensed without the irrelevant stories and comparisons. The conclusions of the book make sense after the detailed reasoning Krugman employs but I’m not sure whether his evidence supported his conclusions or whether they just refuted all other options.
Usefulness
Although not particularly relevant to a particular course, the chapters covering the current financial crisis are detailed and well explained. Background is also given on the great depression so that comparisons between the 1930s and 2008 can be made so there’s lots of economic history that students should really be aware of explained.
The book assumes an American reader so the reader will need to understand the barebones of the Federal Reserve System and a rudimentary knowledge of macroeconomics is useful if you want the knowledge to really stick in your head. If you have time to kill between macro theory and macro policy this book would be useful in creating a bridge between the two courses.
Notes

(1) This is immediately followed by a mention of Godwin’s law which should have prompted that part of the chapter being summarily deleted but nevermind…
(2) Can I just say I am sick of this ‘Great Capitol Hill Baby Sitting Co-Op Crisis‘ story? I don’t care how well it illustrates a point can we please find a different example of quantitative easing already?
(3) Which Tim Congdon disagrees with in ‘Money in a Free Society‘ which kick started my whole ‘Someone disagrees with Krugman?!’ disillusioning process in which I learnt that many economists can seemingly be right at the same time while still disagreeing with each other.
(4) I particularly like the idea of a ‘garden- variety recession’ that is quickly turned around with quantitative easing. I mostly like this because other sources agree with this view and it’s less confusing for the poor undergraduate students when economists agree with each other.

8 February 2013

THE HISTORY OF TIFFANY LAMPS


Guest Post for Tiffany Lamps Blog

Born in 1848, Louis Comfort Tiffany was a well know New York decorative artist who is most commonly associated with the Art Nouveau movement and the creation of stained glass windows, glass mosaics, ceramics, leaded lamp shades and even jewellery.
Louis was the son of the founder of the famous Tiffany jewellers founded in 1837 which would of have a great influence on him.   He started his famous Tiffany Glass Company in 1885 which later became the Tiffany Studios and the source of many of the famous designs you see reproduced today including the famous Dragonfly designs.
Tiffany’s favoured nature themes in his designs and some of his most popular lamps shades are based peacocks, bats, dragonflies, trees in blossom, trailing flowers and brilliant blooms. The stained glass were worked to provide strong contrasts whilst the bases are formed like tree trunks, roots or lily pads, each combining with the other to form a stunning and satisfying whole.
Many of the outstanding Tiffany lighting designs produced at Tiffany Studios were by women. Perhaps the best known, the dragonfly Tiffany lampshade was designed by Clara Driscoll in 1900, whilst the wisteria Tiffany lamp with its random edged shade and multicoloured mosaic intricately leaded, was the work of Mrs. Curtis Freschel in 1902.
Originally designed to be fuelled by Oil you find many of the earlier Tiffany Lamps contain a fuel base, Tiffany was well placed however to take advantage of the move to electricity and soon produced models powered by electricity.
The 1st world war saw the production of glass shades reduced significantly at the Tiffany Studios so the factory could be used for producing war supplies, production soon restarted afterwards but there was a change in taste after the war and production of glass shades stopped around 1924 with the studios moving into other designs before eventually closing down in 1932.   Louis Comfort Tiffany died the following year but his designs are still popular today.

4 February 2013

THE SECRET TO TIFFANY LAMPS


Guest Post for the Tiffany Lamps Blog
The Tiffany Glass Company was established in 1885 with the first commercially produced Tiffany Lamps dating at around 1895.  While many other items from the Tiffany Interiors range have faded from popularity why does demand for these lamps continue over a century after their initial conception?

It is not that the designs of the lamps themselves are unique.  The same flowing curves and natural influences are littered throughout the Art Nouveau movement which inspired Louis Comfort Tiffany and Clara Driscoll to their designs.  Even before this particular art movement what makes these lamps different from those stained glass designs found in churches across the world?

The secret of the lamp is not in its design although if the design did not appeal people would not buy the lamp, but in the materials used in production.  While the designs followed the Art Nouveau conventions the pioneering production method is what sets Tiffany Lamps apart from its competitors as a brand and that had contributed to its timeless appeal.
This method of production that sets Tiffany Lamps apart from its competitors is known as ‘Foiling’.  This delicate and time consuming work refers to the process of wrapping a thin layer copper foil around the edge of each cut glass piece before transferring these pieces to the soldering room.

This was not an easy task as the foil had to be beaten into a sheet that remained durable whilst also remaining thin enough to work with.  By using copper foil rather than the traditional lead setting the glass pieces could be set closer together allowing more intricate designs using smaller pieces of glass to be used without damaging the glass or overwhelming the pieces with a mass of lead resulting in a more colourful and appealing lamp, the secret to the enduring appeal of the Tiffany Lamp.